Fiction Writing – The Way Short Stories Differ From Novels

All of us could be players on the world stage, nevertheless the question remains why we show the emotional responses to the happenings depicted in the fiction, whether in print or visual presentation, just as in real life? Much like dreams our imaginations get presented to us on the mental screen as though we were watching television or movies. And just as in dreams the real world becomes supplanted by the imagined virtual universe even though we’re fully alert. That world still has great resemblance to the real one and everything happening in it seems real due to something changing in our cognition school. But the mechanism that triggers our emotional responses stays unchanged and therefore we respond to this fiction in precisely the same way as in real life.

Here we have some similarity with the virtual reality of the contemporary computer technologies, which can be an artificial environment created by applications. It’s introduced to the audience in such a way in which the individual temporarily suspends own opinion pattern and takes it as a true atmosphere. In a way it is not different from the occurrence of being transported to the imagined world of fiction, except the computer performing the job is in the mind and we have no clue as to what is the software and who’s the programmer.

This brings us to the cause of psychological reaction. In respect to fiction the most common emotions are likes and dislikes that may turn into their more powerful types of hate and love. In real life we love or hate someone because of some attachment through kinship, friendship, or through indirect understanding of the person. An individual cannot love or hate a person one does not understand at all. Attachment can also be on other living beings, material things, and even to fanciful things. We love or hate a story or even a notion. For a typical person it’s impossible to live unattached to items on the planet. If one is able to eliminate attachment, one joins the rank of enlightened souls that are indeed rare. We carry our capacity and desire for affection into the fanciful world of fiction. We see the characters we come to know as the story progresses, shape our preferences, and react in precisely the identical manner like in real life except we cannot interact together physically. But we do interact with them in our heads and hearts from where the emotions come. Hopefully, just as with so many other aspects regarding her comment is here, you will need to pay more attention to some things than others. Do take a close look at what you need, and then make a determination concerning how much different things apply to you. But we are not finished, yet, and there is usually much more to be revealed. The balance of this read holds much more that will help your particular situation.

Some of these suggestions really are critical to your comprehending, and there is even more going beyond what is about to be covered.

The fact is that in a specific sense is fiction. Like a narrative it’s a beginning, an end, and also lot of things in between. We don’t know who writes this fiction nor will ever understand. So we’ve got an inborn affinity with fiction and cannot fully detach ourselves from it. And perhaps that’s the reason why, while reading or seeing fiction we get lost subconsciously in the wonderland of imagination, but for that short period we operate exactly in the same manner as we would in the actual world of our understanding. In that sense fiction is just invented reality.

Theme is why fiction matters, since it’s the quality that provides the narrative a universal appeal. Some say theme is exactly what the story is about, but that’s too ephemeral a definition, which might get confused with the idea or the plot.

Theme enriches and inspires the reader while saying something profound about the human state. Theme is the abstract concept behind the story forming the narrative’s heart and soul that the exposition, dialogue, and action reflect every chance they get.

Theme is not the characters or the plot or the first idea that started the story. By way of instance, a writer may start with the idea of exploring family connections between girls, but as his story progresses, his subject may appear as forgiveness and understanding between different generations of guys. There are some topics on which it is very hard to write any kind of story.

Theme is implied, occasionally without the author’s knowing of it at the beginning; nonetheless, more experienced authors usually work on their subject harder than any other part of the narrative as soon as they grab on to what it is they’re writing about.
In non-fiction, the author is advised to hone into his subject and start referring to it at the first paragraph. In fiction, on the other hand, the theme usually blossoms through the writing as the story progresses.

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